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Lynda Cookson Artist And Writer |
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Art Resume : Lynda Cookson
Work sold in : UK, Ireland, South Africa, Namibia, many parts of the USA, Canada, France, Spain, Dominican Republic Galleries : Bold Art Gallery, Galway Commissions : South Africa : Mr D Bose (3 paintings) Professional Member : Visual Artists Ireland Founder and Organiser : 2005 ‘Art in the West’ exhibition in Galway Media Interviews : March 2006 – TV1 and Radio1 Barcelona during Publications : ‘Summer Field’ published on front cover of WMS Wealth ‘Dolphin Abstract’ published Events Quarterly Designer for : Dezign Inc., Harare, Zimbabwe (producers of T-shirts, Logo Design for : 2005 - ‘Art in the West’ exhibition in Galway Studies : Michaelis Art School, Cape Town, South Africa Digital Art : Digital Show for the Liverpool Biennial – Independents 2006 Exhibitions To Come: Recent Past Exhibitions: Dec 2005 : Represented Ireland at Florence Biennale, Italy October 2005 : Munch, Woodquay, Galway Nov 2004 : Art Ireland Autumn Collection, Dublin April/May 2003 : Inst Exh “Crossing/Knotting”, Nordbahnhof Stn, Berlin 1999 to 2001 : Various venues in Johannesburg, Greyton and
Residencies : January 2007 – Cill Rialaig, Ballinskelligs, Co Kerry
Writing Arts Profile Writer for ‘Galway Now’ , ‘Cork Now’ and ‘Limerick Now’ Magazines (since Jan 2005) Contributor : Two issues “Moving In” interior decorating magazine, Dublin Author : “How to Make Handmade Paper”, published August 2005 Curator and Contributor : “Art in the West 2005” catalogue Press Trips : Abruzzo, Italy – art course for Point 101 Own website : www.lyndacookson.com
Artist Statement
Lynda Cookson
On a deeper level than the notions of freedom and rebellion, incorporating colour and movement, Cookson works with what she terms the 'behind music'; she works with the masks of protection and the layers of learning people develop and build up through their lives; and she works with how they learn to live with those masks and layers; and how they achieve their wisdom. The ‘behind music’ she refers to is all the parts of a symphony concert in their separate forms, all the patterns of sound, the individual notes, the individual instruments, the emotions elicited, the energy expended and the people involved, which unite to make the complete piece of music so beautiful, soul-reaching, acceptable and exciting to the masses of people who listen to it. The parallel is the lives people are living, learning and sculpting to make themselves better and more wise; to make themselves more beautiful, valuable and acceptable to the society they belong in, while still coping with the energy needed to smooth out every-day stresses in meeting their challenges. Cookson's recent work has been influenced by Irish painter Louis le Brocquy. Other influences include Kenneth Webb, Jack Yeats and Matisse. Memories of Picasso slip in now and then. Cookson says of her methods and techniques: 'True inspiration comes when I am excited by a subject to the point of sleeping badly at night and (preserve me!) wanting to get up early in the morning. I use oils, sometimes acrylics, on artist-prepared stretched linen canvas or linen-covered board, occasionally using my own handmade paper and various fabrics for texture beneath the paint. I like the surface to have a ‘tooth’. Much of my work is done with palette knives and brushes but I also use sponges, my fingers, pieces of cardboard, paper table napkins and scrunched plastic. In fact, whatever is to hand in the moment of need! My work tends to be colourist in that I build up layers of pure colour often allowing the lower layer to show through, giving movement and life to the painting. 'I use my imagination, freedom of colour and stroke-movement, to bring my art to life, finding inspiration in the unexpected and in the use of ‘rebellious’ colours.
Updated July 2008 |